ArchivesSpace at the University of Iowa

Scope and Contents

This catalogue is an advertisement for sale of Petasz's computer based drawings. -- Source of annotation: Marvin or Ruth Sackner.

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Geof Huth contributed an introduction to this book of visual poems. -- Source of annotation: Marvin or Ruth Sackner.

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This work was composed on an Amiga computer and printed with an Epson printer. -- Source of annotation: Marvin or Ruth Sackner.

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This card depicts greetings in the form of a visual poetic, computer generated image for the Jewish New Year. -- Source of annotation: Marvin or Ruth Sackner.

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The cover design that depicts a photographic reproduction of an assemblage by Jira Hula is from the same series as the assemblage held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents On the back cover and internet, it is stated that A. J. Patrick Liszkiewicz is a media artist and theorist, an assistant editor at the online journal Anti-, and a member of the art collective RUST, LTD. He is the author of two previous chapbooks, Alphabet Man (Slack Buddha) and Count as One (New River), and a forthcoming full-length collection, Afeeld: Computer Games as Poetics (ETC/MediaCommons). His recent work has appeared in Diagram, Hobart, Kotaku, Otoliths, Word for/Word, and the Zaoem Festival of Contemporary Poetry. He created the poems in this chapbook by modifying "glitchNES," a ROM originally created by Don Miller, and using it with the Nestopia NES emulator. A. J. says: "These visual poems are the result of glitches I created and controlled through computer game software. I used an NES emulator as an instrument, improvised and composed in real time, and recorded the output of my play. The resultant poems are colorful screenshots that suggest meaning through image and...

Scope and Contents

Subtitled More Effects form our Primodial Constriants, Quarles art is derived from the computer programs Photoshop and Java. -- Source of annotation: Marvin or Ruth Sackner.